The surprise hotness of The Turning Point

Watched The Turning Point yesterday.
Had never seen it before.
Could not keep my eyes off Anne Bancroft. The way those long slip-dresses just skimmed over her body.
So sexy!
Really. I mean, Baryshnikov was cute and all, but Anne Bancroft, wooooooo-wie!
Her dance gear, her street clothes, her formal wear, incredibly well done to express to us the power, the hardness and the appeal of this woman arriving at the end of her time as a dancer.
One outfit that springs to mind: a rehearsal scene, a long-sleeved leotard in a light color with pale tights and a rather long pale chiffon skirt. They say that a long skirt indicates seniority and is a sort of badge of honor. (Which is why my wrap skirts are practically belts) Hers sweeps her knees indicating great maturity and authority, but is made of such a gossamer weight that you get the feeling she still believes in the fantasy of ballet. Such an awesome contradiction in just one garment.
And then there’s the fact that you can see just a bit of nip outlined in the thin fabric of her long sleeve leo. So she is all covered up and still exposed. Vulnerable, aggressive, reserved… Woo, is it hot in here or is it just me? Where did my fan go? And where did I put that ice-bucket to pour over my head?
Kept watching through the end credits and saw to my great delight that the costumes were designed by Albert Wolsky.
I’ve met him! He is the nicest man. Just lovely. Hope I see him again soon so I can tell him how much I enjoyed his work.

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About adultbeginner

Had my first ballet class Ever at the advanced age of thirty-two. Yikes.
This entry was posted in Movies and live stuff, OMG outfits you guys!, Philosophizing and tagged , , , , , , . Bookmark the permalink.

3 Responses to The surprise hotness of The Turning Point

  1. OhmygodtheadultbeginnerknowsthecostumedesignerforTheTurningPoint?!

    Way cool.

    Way, way cool.

  2. Mike says:

    I just saw that video last night. Wife and daughter insisted once I confessed never actually seeing the film other than isolated scenes.

    Costumes were good, but the dancing was great; so much better than the typical dance movie, The Company aside. But, of course the dancing should be great, most of the dancing characters were dancers, except for Anne Bancroft. And all those dance sequences with major dancers of the 1970′s-1980′s (Farrell, Baryshnikov, Browne, Tcherkassky, Martins, Bujones, etc.), some great glimpses in high-quality film. Even some shots of Danilova coaching. It was also nice to see in their prime some of the dancers my daughter has taken class from, it elevated my level of respect for their work.

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